Par DIVERS AUTEURS / ROPARZ.GWENOLA (ARR.). Telenn Vreizh propose un ensemble de pièces de musique traditionnelle bretonne arrangées pour la harpe celtique. Tous les niveaux d'apprentissage de l'instrument, y compris les tout débutants, sont abordés. Les formes musicales traditionnelles en Bretagne y sont représentées : chansons enfantines, mélodies, airs à la marche, danses, cantiques. L'essentiel des thèmes provient du répertoire oral de Haute et Basse-Bretagne, chanté ou sonné. À ce corpus de morceaux instrumentaux viennent s'ajouter quelques chants accompagnés, parmi lesquels des compositions plus récentes. Les sources de collectage ainsi que les références enregistrées à la harpe sont mentionnées pour la plupart des morceaux, afin que les harpistes puissent s'imprégner du style de la musique. Enfin, les textes des mélodies sont donnés, en gallo, en français ou en breton. Pour ces derniers, seul le sens général du récit est donné, tant la part d'implicite est importante dans nombre de textes anciens. / Date parution : 2019-12-05/ Recueil / Harpe Celtique

A 'Fantasia' in three parts for Harp and Guitar by the celebrated Spanish composer.

Par POSTIC ANNE. Musiques traditionnelles arrangées pour la harpe celtique Dans ce recueil, Anne Postic nous montre qu'aucun rythme, aucun thème, aucun enchaînement ne pose problème à la harpe celtique. On y trouve quelques danses irlandaises endiablées qu'on n'avait entendues jusqu'ici qu'à la flûte ou au violon. Ses basses, au lieu de scander la musique sur les temps forts, comme on l'entend si souvent dans les musiques traditionnelles, se promènent sous la mélodie, lui donnant un « swing » inventif et malicieux qui donne à sa musique sa couleur si particulière. Passant de la Bretagne à l'Écosse ou à l'Irlande, tout en nous faisant découvrir quelques mélodies encore inconnues, Anne réinvente la harpe celtique, swinguant entre tradition et modernité, nous invitant à danser au son de son instrument, imaginant chaque fois un accompagnement plus subtil : jamais la harpe n'a été plus vivante ! / Date parution : 2010-11-01/ Répertoire / Harpe

This book is the second volume of arrangements for the Celtic harp by MonikaMandelartz. The material encompasses diverse songs and tunes from the British Isles, commonly described as 'Celtic Music'. This type of music is often associated with the English publisher John Playford. In the 17th century, he published The English Dancing Master, which contains traditional music as well as tunes of his day (up to the Renaissance). Author Monika Mandelartz, a specialist in historical performance practice, followsPlayford's tradition by arranging parts of the collection for Celtic harp. Thereby, Mandelartz points out that her arrangements constitute a 'snapshot in time'. Her workemphasizes the idea that lively music always allows for change and variation - it must in order to survive. The book includes tunes such as De`il Take the Wars, Scot Cap (Edinburgh Castle), Upon a Summer's Day, Parson's Farewell, Welcome Home Old Rowland, Dissembling Love (The Lost Heart), An Italian Rant, Porter's Lament, Greenesleeves and Pudding Pies (Greenesleeves and Yellow Lace), Jenny Pluck Pears, Remember Me My Deir, Enfield Common, The Sword Dance, and Drive the Cold Winter Away. This book is the second volume of arrangements for the Celtic Harp by Monika Mandelartz. The material encompasses diverse songs and tunes from the British Isles, commonly described as 'Celtic Music'. This type ofmusic is often associated with the English publisher John Playford. In the 17th century, he published The English Dancing Master, which contains traditional music as well as tunes of his day (up to the Renaissance). Author Monika Mandelartz, a specialist in historical performance practice, follows Playford's tradition by arranging parts of the collection for Celtic Harp. Thereby, Mandelartz points out that her arrangementsconstitute a 'snapshot in time'. Her work emphasizes the idea that lively music always allows for change and variation - it must in order to survive. The book includes tunes such as De`il Take the Wars, ScotCap(Edinburgh Castle), Upon a Summer's Day, Parson's Farewell, Welcome Home Old Rowland, Dissembling Love (The Lost Heart), An Italian Rant, Porter's Lament, Greenesleeves and Pudding Pies (Greenesleeves and Yellow Lace), JennyPluckPears, Remember Me My Deir, Enfield Common, The Sword Dance and Drive the Cold Winter Away./ Recueil / Harpe

La référence FP 440 de l'éditeur Fertile Plaine dont l'auteur célèbre est Bourdin-Visbecq Isabelle, qui a pour titre Le petit train dans les collines ( 2 harpes ), a été écrite et composée pour Harpe et plus particulièrement pour Ensembles De Harpes. Cette partition musicale appartient à la catégorie Classique. / Ensembles De Harpes / Partition

Two solos in jazz idiom for pedal or non-pedal harp-Two solos in the jazz idiom for Pedal or Non-Pedal Harp by Stewart Green. Stewart Green began writing music for the Piano at an early age. Taking up the Viola and Oboe in his teens he later went to the University College of North Wales (Bangor) where he studied composition with among others William Matthias and Reginald Smith Brindle. Gaining a B. Mus. (hons) degree in 1960 he returned to his old school in Richester to teach class and instrumental music. Four years later he enlisted as oboist to the Band of HM Coldstream Guards which opened many doors including performances of his compositions and arrangements in many National venues on discand broadcast by the BBC on Radios 2 & 3. His years at Bangor had enabled him to fulfil a childhood dream of learning the Harp which he was later able to develop when he left the army and moved with his wife Sue and young family to Lowestoft as a peripatetic woodwind tutor for Suffolk County Music Service. His Flights Of Fancy and Blistering Along! appear on ABRSM and Trinity College Harp examination syllabuses while the Spartan Press publication Saxofun is on Suffolk's own exam syllabus. Since 1999 Stewart has been senior Woodwind Tutor for Suffolk and since 2002 Harp tutor as well! Stewart's recent publication She'll Be Comin' Round The Mountain was written for the North Suffolk String Orchestra as was Haunted House. Spookily this received its first performance at Lowestoft accompanied by a July Thunderstorm!

These songs were written at the special wish of Her Majesty the Queen for her mother's seventy-fifth birthday August 4th 1975. Its first public performance was given on the 9th January 1976 at Schloss Elmau in Germany by Osian Ellis and Peter Pears. The collection of pieces are intended for High Voice and Harp. The poems for which the music was written for are by Robert Burns.

This happy popular song by Adam Young of Owl City is great fun! It can be played by advanced beginners although the rhythm is quite challenging with lots of tied notes and 16th-note off-beats. It is in the key of G with2 easy lever changes that may be omitted. Fingerings and lyrics included. 5 pages. Playable on lever harps and pedal harps.

La référence FP 135 de l'éditeur Fertile Plaine dont l'auteur célèbre est Maldonado, qui a pour titre Nocturne ( harpe et guitare ), a été écrite et composée pour Harpe et plus particulièrement pour Harpe Et Instruments Divers. Cette partition musicale appartient à la catégorie Classique. / Harpe Et Instruments Divers / Partition

Partition parue en mars 2012, cet ouvrage référencé sous le code GB8912 intitulé Caroline Rempp : Loreleï et écrit par Rempp-Verrey Caroline est destiné à un public pratiquant Harpe. / Harpe / 10 pages / Partition